The Rock ’n Roll Circus

Ocean Colour Scene may not move many records as they did at the stature of their 'Moseley Shoals' distinction in the 90s, however they demonstrated Glasgow's Barrowlands simply why they keep on offering out venues here and there the nation as one of the best live acts around.

Their current tour is a festival of the fifteenth year since the arrival of that collection. The mediating years have seen the band's broad claim blur sort of as their mix of 60's style Rhythm n' Blues and Folk Rock has tumbled from design, and the takeoff of Damon Minchella from bass obligations, supplanted by Dan Sealey and Andy Bennett on bass and cadence guitar individually, may have been seen by a few as indicating the demise chime for the one-time Britpop top picks.

Notwithstanding, the change to a five-piece appears to have revived the imaginative squeezes inside the gathering, as prove by a come back to structure with a year ago collection discharge 'Saturday', and in light of their Barrowlands execution on Friday night, it surely hasn't hurt their live sound.

In the opening a large portion of the show, the band tore through the tracklisting to their 1996 fantastic 'Moseley Shoals' collection from beginning to end, guitarist Steve Cradock indicating from the opening riff of 'The Riverboat Song' through to a storming solo on collection closer 'Escape' simply why he is a standout amongst the most regarded musical artists around right now.

Specific highlights were the swarm satisfying 'The Day We Caught The Train' and 'You've Got It Bad', which offered a drum solo from Oscar Harrison that shook the establishments of the old dance hall. In the middle of times, the more melancholic style of 'Covering Your Pockets' 'It's My Shadow' and 'The Downstream' showcased frontman Simon Fowler's flexibility as both a vocalist and a musician.

If you're looking for groovy, soulful reggae, look no further. The Wailers know how to bring it all the time, every time. Whether outside or inside, day or night, The Wailers know how to rock the house. Their happy attitudes inspire joy in the audience, creating a festive, 'we just want to have fun' atmosphere infused with soulful and spiritual passion. They are one of those bands that everyone knows is there solely because of their love of music. They outperform themselves with each new live show, entertaining the audience with their awesome riffs. Dwayne “Danglin” Anglin brings in the audience, encouraging them to sing along to “Is This Love” a little louder, clap their hands faster to “Buffalo Soldier”, compete with other sections of the venue in cheering along with “War”.
The Wailers is a reggae band that has evolved and changed many times, and accepted each new development, no matter how unexpected, as it came. Originally formed in 1969 as Bob Marley, Bunny Livingston and Peter Tosh, the group went on to be Bob Marley and the Wailers and, after Bob Marley's death, became the band they are today: The Wailers. They are one of the most internationally recognized reggae bands, having sold over 250 million albums worldwide with Marley. The Wailers have also played with other international acts such as Stevie Wonder, Alpha Blondy, and Sting. Playing on countless tours to an approximated 24 million people, The Wailers are the greatest expounder's of the Jamaican reggae tradition alive today.

Emerging from the same 2-Tone ska punk scene that birthed the likes of The Specials, Madness and The Beat, early singles from The Selecter like "Too Much Pressure," "On My Radio" and their self-titled "The Selecter" contained such an urgent brilliance that they cemented the band’s credibility for many years yet to come. Hearing them performed live today understandably brings out a nostalgic thrill in those old enough to have donned their steel toe capped Doc Martens and headed for the dancefloor back in the late 1970s, but The Selecter still imbue tunes entering their fifth decade of life with a degree of energy younger bands surely wish they could bottle and neck in one go. The line up may have gone through a few shifts in the intervening years, but front and centre as ever remains inimitable frontwoman Pauline Black, as imposing and endearing a singer as ever emerged from the punk, new wave, ska (or whatever you’d like to call it) movement. Extended periods of synthesiser ambience or backing orchestras aren’t to be expected, but if it’s buoyant yet hard hitting ska with a social conscience that resides in exactly the right place you’re after, there are few bands you’d select over this legendary group.