The four piece came together in 1995 when, using a 4-track tape recorder, singer-songwriter and guitarist Kristopher Roe, and guitarist Jasin Thomason, would write and record demos with a drum machine whilst searching for a full-time drummer.
The band’s big break came in 1996 when Roe and Thomason attended a show to see the band The Vandals, who owned their own label “Kung Fu Records. Thomason gave a tape to Joe Escalante, a bassist from the band. The Ataris were later signed to the record label and eventually found drummer Derrick Plourde. Fast-forward a couple of months to April 29th 1997, when The Ataris released their debut album “Anywhere but Here” which only took a week to record. The band relocated to Santa Barbara, California. The band had to undergo some line up changes in this transition period, but their popularity started to bloom.
In 2002 saw the Ataris new album “So Long, Astoria” start to take shape. Their contract with Kung Fu Records had expired but they had the attention of Columbia Records to decided to sign with them. This album catered to a much more mainstream audience and generated successful singles such as “In This Diary” and “The Saddest Song”. The album also featured their cover of Don Henley’s “the Boys of Summer” which became their “accidental” second single after a radio station, KROQ in Los Angeles started playing it. However, it is the band’s highest charting single to date, reaching No. 20 on the Billboard Hot 100. The album sold over 700,000 units in total and was certified Gold.
The band has remained a band to this day but it is very much the brainchild of Roe, with him being the driving force behind the band and the original member. In 2013, The Ataris began a North American tour with Kris Roe and the former members John Collura, Mike Davenport and Chris Knapp to celebrate the 10 years of their most successful album, “So Long, Astoria”.
The Ataris play with a minimalistic set up, but the sound they create is intense and forceful. The band’s do-it-yourself approach to making music and touring has instilled an authenticity into the personality of the band that has garnered them a strong cult following.
The Ataris always give their all when performing live. Their guitarist and singer, Kristopher Roe, vigorously strums his guitar and sings in a raw voice with deep passion. The band plays in a fast pop-punk kind of way, spitting out catchy, loud, distorted songs at rapid speeds. The band has also been known to elaborate on some of their songs’ ending by going into experimental droning with heavy reverb and strong crashing of the cymbals. The band plays with the kind of emotion that conveys a strong sense of teenage angst, which deeply connects with the audience as they belt out the lyrics at the top of their lungs.
The band usually plays at small venues allowing the audience to experience a more intimate performance by getting up close and personal to the band. The band seems to gain much inspiration and feed from their audience’s deep connection to their songs. The Ataris usually plays with minimal stage theatrics and often leaves the lights up so the fans can clearly see them allowing the band to connect better to the audience when performing their highly athematic songs.
The Ataris’ setlist contains songs from most of their discography that will please audiences. You will most likely find the audience crowd surfing to such songs as “Road Signs and Rock Songs” or you might even hear them perform a cover song by one of their favorite bands, The Replacements.