Release Athens Festival 2026
Concert in your area for Electronic, Pop, Hip-Hop, Rock, and Indie & Alt.
Find out more about Electronic, Pop, Hip-Hop, and Rock.
The fictional band members are Murdoc Niccals, 2-D, Noodle, and Russel Hobbs. They are represented in music videos and concerts in cartoons illustrated by Hewlett.
Gorillaz is a pop band with a distinctive sound. Its musical style combines synth-pop, alternative rock, hip-hop, electronic, trip-hop, and dark pop. Albarn credits various and diverse artists as significant influences. Some of the better-known influences include Massive Attack, Public Image Ltd, Tom Tom Club, Fun Boy Three, and Unkle. Influences for the animated band members include Glitch Techs, The Amazing World of Gumball, and Rise of the Teenage Mutant Ninja Turtles.
Gorillaz is known for collaborating with many prominent artists such as Elton John, Georgia, Popcaan, and Mavis Staples. This one-of-a-kind group has influenced a bevy of artists since it burst onto the music scene, including 5 Seconds of Summer, AWOLNATION, Paramore, Grimes, and Kesha.
Gorillaz has grossed over 27 million records worldwide and won a Grammy as well as multiple MTV Video Music Awards. The group has also been nominated for 11 Brit Awards and won Best British Group at the 2018 Brit Awards. Gorillaz also holds the distinction of being the Most Successful Virtual Band in the Guinness World Records.
From 1998 to 2000, Albarn worked on the band’s self-titled first album, Gorillaz, which dropped in 2001. The first song release was “Tomorrow Comes Today,” and the music video for the song marked the world’s introduction to the virtual band members. Overall, the album was a smash, both commercially and critically.
The aforementioned second album, Demon Days, followed in 2005. The album marked a shift in the band’s sound into the darker approach to pop that made it famous. Demon Days was its most successful studio effort to date. It went double platinum in the U.S. and contained the ubiquitous and widely popular single “Feel Good Inc.”
In 2006, the band penned an “autobiographical” book titled Rise of the Ogre that expanded on the universe and backstories of the fictional band members.
Gorillaz’s third album, Plastic Beach, hit the market in 2010. The environmentally themed album featured a new synth-pop sound and a lineup of featured guest artists.
The Fall, the band’s fourth album, also released in 2010. The album was largely recorded while Alban was traveling during the band’s Escape to Plastic Beach Tour.
The band’s fifth studio effort, Humanz, dropped in April 2017 after a lengthy hiatus. The album debuted at number two on the U.S. Billboard 200 and received positive reviews from fans and critics.
The sixth album, The Now Now, was released in 2018 and presented a more stripped-down version of the band’s signature sound, concentrating on Albarn’s original music instead of guest artists.
Gorillaz’ launched a new web series project titled Song Machine. The series of episodes featured music videos of the band with musical singles. After the series concluded, the band compiled each song to create its seventh studio album, Song Machine, Season One: Strange Timez, in 2020.
Throughout 2022, Gorillaz was on tour in South America, Europe, Australia, and North America. Throughout the Gorillaz tour, the band released new music promoting its upcoming eighth album, Cracker Island, scheduled for release in 2023.
Rumour has it the band started when founder and guitarist Wayne Coyne stole a cache of musical instruments from a church hall and invited his vocalist brother Mark Coyne and Michael Ivins, the bassist, to start a band. Following a succession of drummers, Richard English was chosen as the band’s percussionist and who joined the band to record their self-titled album, released in 1985 on their very own label Lovely Sorts of Death.
Rarely has there been a band of such eclectic and esoteric appeal, a band’s whose proclivity for the surreal formed a sporadic pop career. The Flaming lips is often associated with psychedelic culture and many of the themes in the Flaming Lips’ earlier releases share this fascination for science fiction, space opera and the metaphysical world. A string of recordings on independent labels saw the band expand on their sound introducing tape loops and guitar and vocal effects. The band signed to Warner Bros. in 1990 after a representative of the label saw The Flaming Lips almost burn down a venue in Oklahoma, U.S. using pyrotechnics.
The album “Transmission from the Satellite Heart” released in 1993 was the first in which producer Dave Fridmann had not been involved. The album and in particular the song “She Don’t Use Jelly” saw the band have a more mainstream appeal and feature on a number of TV shows including Beverly Hills and Beavis and Butt-head, as well as long stints of touring, opening for the likes of the Red Hot Chilli Peppers.
There biggest breakthrough however, came following the release of 1999’s “The Soft Bulletin”, which drew similarities between it and The Beach Boys’ “Pet Sounds” due to its orchestral sounds and traditional catchy melodies.
By 2007 after releasing two more full-length albums the band had won three Grammy Awards, one for Best Engineered Album in 2007 for “A War With Mystics” and two for Best Rock Instrumental Performance for “Approaching Pavonis Mons by Balloon (Utopia Planitia) and “The Wizard Turns On…”. Since then the band has released a whopping 16 albums and have used their critical acclaim to collaborate with an impressive group of past and current musicians from Neon Indian, to Nick Cave and Erykah Badu. The Flaming Lips can seemingly do no wrong.
I love the Gorillaz. They are pretty much the most exciting and original band out there right now. Even in their live concerts, they stick with their cartoon characters. Imagine a massive screen towering over the stage, with huge silhouettes of the characters (2-D, Murdoc, Noodle, and Russel), as the music starts and the lights come up, they suddenly come to life – and you can just about see the actual band underneath on stage.
The whole show has a cartoon animation version, where the "band" plays along with the music as if they're playing it. Meanwhile, Damon Albarn (from Blur) is the one who's really singing the songs. You'll almost certainly recognize their song "Clint Eastwood" – in fact, when I saw them at Glastonbury festival in 2010, Albarn hardly sang – the crowd knew all the words! "I ain't happy, I'm feeling glad, I got sunshine in a bag, I'm useless but not for long the future is comin' on..."
Also, I have no idea what that instrument he uses is- the flute with a keyboard on it- but it has such a unique sound that I just can't get over! Then all of a sudden SNOOP DOG is on stage, completely out of nowhere! He's rapping along with the song, we're going wild and screaming and singing along, everyone is excited. Albarn really pulled his weight next to Snoop, and more. And the images on the screen flashing by just completed the image, like watching the perfect music video with all the benefits of live music.
I almost missed their performance that year, and I am SO glad I didn't! I hope they keep touring, I'd go see their shows every week if I could. I can't wait until next time!
My friend is a Flaming Lips fan, but I was not so impressed. We went to a music festival together and for the sake of staying together I went with them to see them play.
My first impression from the strange people and decorations was, "oh great one of "these" bands." But once the opening song "The Fear," played I felt it really pierced into me. The rhythm vibrating through the speakers touched me mentally and physically. I felt the hum in my heart and the beat in my mind.
I could feel the same from everyone around me and suddenly we were all swaying in harmony as Michael used his bass to lull us into a rhythmic trance. When the song was over they picked up into a faster song and it was like I felt the urge to dance. The whole show played nicely together one song into the next.
When we went home that night I had to tell my friend how much I was impressed with them live. In comparison to their recordings I felt they were a band that had to be experienced live. It was a memorable time.