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Born in 1977, he was the son of a famous Japanese wrestler and restaurant-chain owner Rocky Aoki eventually going on to graduate from the University of Carolina. While still in his twenties he found the time to form a record label named Dim Mak in homage to his childhood hero Bruce Lee.
In its infancy, Dim Mak was known for working with a diverse range of artists from all genres and has been instrumental in launching the careers of artists like Bloc Party and The Gossip. The label soon began to focus more on Steve’s specialty, electronic music, and is now recognised as one of most influential establishments in the dance music world.
The label’s profile was further boosted with the release of Aoki’s first album ‘Wonderland’. Featuring artists as diverse as Weezer’s River Cuomo to Kid Cudi it was a huge success with every song on the album being released as a single with its own remixes.
To support his music Steve tours constantly and has become known for unpredictable and exciting live shows. Even while performing an average of 250 shows a year he still finds the energy to be crowd surfing and dancing with his crowds all of which helped him to achieve 6th place in DJ Times magazine’s ‘America’s best DJ competition’ in 2013.
With the release of the first part of his new double-album, ‘Neon Future’ on Dim Mak, Steve looks set to continue to be one of the most popular electronic artists in the world.
There no denying the Steve Aoki is epic when it comes to his live shows. He clearly does what he does for no other reason than “because its fun.” He’s been known to crowd surf, spray champagne all over the crowd, and crowd raft…yes raft. EDM sets are always energetic, but Steve Aoki seriously takes it to another level.
Unfortunately for me, the set that I caught him was very mild, mainly due to the location in which I saw him. He was the headliner for the EDM stage at Heat Festival at the University of California, Riverside; but by stage, it was really just the third floor of the Commons area in the middle of campus. What this really meant was that there was no crowd surfing of any sort, but the set was still sick. Spinning things like “Warp,” “One More Time” remixed by him and, my personal favorite remix of Kid Cudi’s “Pursuit of Happiness.” His transitions and fade-aways are flawless!
I really wish that I could have seen him in a better setting, and plan to eventually see him again, maybe for his Afroki collaboration with Afrojack. Regardless, considering I didn’t have to pay for this festival, I’m satisfied with the set that I was able to see from Steve Aoki.
When you picture an artist with the name Timmy Trumpet, your first thought probably isn’t of a House musician but then there isn’t really anything conventional about the way this Australian musician handles himself. Born Tim Smith, Timmy Trumpet got his big break by performing trumpet solos over dance tracks, eventually segueing into making his own productions – It’s a long way from the 9 year old Jazz player he started out as.
Crowds may be surprised at first when they see a guy wielding a trumpet at the helm of a House set but he’ll always win them over. With surprising passion, Timmy takes to the front of stage to deliver piercing trumpet tones over the percussive bounce of the House. It’s a heavy contrast but the interplay between trumpet and track really works and helps to make for an exciting set. To those that complain that there isn’t enough musicianship displayed in live electronic music, Timmy Trumpet is the man for you. In fact if anyone wants to see a completely unique house artist they should check him out because there’s no one like Timmy Trumpet.