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Grant and Siljamäki were college buddies at the University of Westminster and formed the label Ajunabeats in the summer of 1999. The label produced music under the names “Dirt Devils,” “Free State,” and the label name “Ajunabeats.” The first single under Ajunabeats called “Volume One” garnered the attention of Warner Music Group’s Tony McGuiness. Together with Grant and Siljamäki, McGuiness decided to collaborate on a remix of Chakra’s song “Home.” Thus, Above and Beyond was born.
The group was fundamentally known to produce remixes of hit songs, notably “What It Feels Like For a Girl” by Madonna in 2001. At the time, they also worked with artists Adamski, Fragma, Delerium, and Japanese artist Ayumi Hamaski.
Following the collab with Hamaski, Above and Beyond was introduced to a huge audience in Tokyo in 2002 and their popularity expanded soon thereafter. Madonna commissioned the trio to remix another song “Nobody Knows Me.”
It was not until 2006 that the trio decided to release an album of original songs entitled “Tri-State” which shook up the EDM and trance music industry. They received much love and attention in the UK and from ULTRA festival site, Miami, FL. The single “Air For Life” was concluded to be Tune of the Year in 2005 by the radio show “State of Trance.” The following year “Good for Me” featuring Zoë Johnston was declared Tune of the Year for 2006. The song “Alone Tonight” with Richard Bedford won the best trance track of 2006 at the 22nd International Dance Music Awards in Miami.
On 6 June 2011 Above and Beyond’s sophomore album “Group Therapy” was released with vocals by Richard Bedford and Zoë Johnston. It reached #1on the iTunes Dance Album chart. The album contains both fast-paced trance and mellower rhythms. The hits “Thing Called Love” and “Sun and Moon” both featuring Bedford became favorites on the airwaves in the UK.
Above and Beyond hosts a weekly radio show called Group Therapy Radio, and celebrated their 100th episode in October 2014 at Madison Square Garden in New York, U.S. The name Above and Beyond comes from a poster by American motivational trainer Jono Grant’s motto “Above and Beyond.”
Very good concert, the room was full of people enjoying the music, dancing and jumping without interruption.
The sound was excellent, they played some of their best tunes with a lot of remixes, and the ending was really magical. It's well worth the price in my opinion for trance music lovers.
vElectronic music is an increasingly difficult genre to break into professionally, as it becomes more and more popular. However, for Grum, his emergence into the industry was relatively smooth in comparison with many struggling artists. After the release Heartbeats, his debut album, he began being compared to the likes of Daft Punk with his progressive house sound.
After the release of Human Touch, I saw that he was playing relatively near me, so I thought I’d get a ticket. I’ve always been into his music, but I wasn’t expecting the atmosphere and talent to be as epic as It was. The lighting was fabulous, in true house music and trance style, and Grum’s playing off the mixing desk with his synths and tracks to work with was awesome. Watching a DJ work you really get an insight to how intense it must be, constantly altering levels, adding new sounds, and transitioning from one track to the next.
Throughout the show, he was encouraging everyone to dance, which wasn’t too difficult, as everyone appeared to be absolutely loving the show, and getting involved without any need for encouragement. The show went on for well over 2 hours, and it was nonstop with great music and dancing start to finish. I’ll definitely be going back!