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Childhood friends Jim Adkins and Zach Lind partnered with guitarist Tom Linton and bassist Mitch Porter to form the band in 1993. Under local label Wooden Blue Records Jimmy Eat World released a few singles, an EP and a self-titled album during 1993-94. The band got lucky in 1995 with a contract under Capitol Records that allowed them to release the album “Static Prevails.” For this venture, friend Rick Burch replaced Mitch Porter and drummer Mark Trombino joined the group.
In 1999, Jimmy Eat World released “Clarity” which was recorded in studios in California. The single “Lucky Denver Mint” was featured on the soundtrack of rom-com “Never Been Kissed” which elevated the band to mainstream audiences. However, the album that prompted Jimmy Eat World to worldwide fame is “Bleed American” which was put out in 2001 by DreamWorks. The single “The Middle” exploded on the airwaves and took the #5 spot on the Billboard Hot 100.
Following tremendous success with “Bleed American” Jimmy Eat World recruited producer Gil Norton (whose previous experience includes working with bands like the Pixies and Foo Fighters) to work on “Futures.” Their fourth album came out October 2004 and the single “Pain” became a hit. By this time Jimmy Eat World had toured independently to promote “Bleed American” and also in collaboration with Taking Back Sunday. In 2005 they joined forces with Green Day on a worldwide tour.
In total Jimmy Eat World has released eight studio albums both independently and under major label Interscope Records (formerly DreamWorks). The band’s name comes from a cartoon drawn by Linton’s younger brother Ed, who was making fun of their brother Jim. The drawing depicts a slab of the Earth resting on Jim’s jaw, and the rest is history. Jimmy Eat World considers punk bands Mr. T Experience, Radon and Tempe’s Horace Pinker as influences in their music.
Motion City Soundtrack’s story is an absolutely heartening tale of sticking to one’s guns in the face of trends, fashion and bandwagons. Their brand of punky pop-rock (or poppy punk-rock, delete as applicable) was never going to set the charts alight and make them the biggest band in the world but it did make them an absolutely adored cult band, and that suits them like nothing else they could be. Like many other bands, the genesis of Motion City Soundtrack began with two other local bands disbanding.
They were Joshua Cain’s Saddest Girl Story and Justin Pierre’s Slide Coaster, and soon after those bands feel through, Cain got in touch with Pierre with the intention of forming a new band together. The band were originally a quartet formed with Cain on the lead guitar and Pierre on lead vocals but their rhythm section didn’t last until the end of the year, this wasn’t the only reason that the nascent Motion City Soundtrack couldn’t play shows, however.
Weirdly enough for a city with a rock and roll pedigree to put most of the world’s countries to shame, there were barely any venues for a new band to perform in. So Cain and Pierre knew that in order to spread the word about their band they’d have to tour and tour hard. Fortunately, they found a rhythm section willing to tour with them and nicked the name Motion City Soundtrack off a name Justin’s brother was using for one of his musical projects. By 1998 they’d played their first show, and big things were still to come.
Their first recorded release came in the form of a seven inch released in 1999, but the band were still in a sort of flux, without a truly fixed line-up to their name. It wasn’t until three years later that Pierre and Cain found Jesse Johnson and Matthew Taylor, who to this day play as their keyboardist and bassist respectively, and Tony Thaxton, who was their drummer until 2013. By the time they’d joined they already had two E.P’s to their name, and were hard at work self-releasing their debut album “I Am The Movie”.
Awesomely enough, the original release of the album had the album housed in a floppy disk case with the CD inside, which the band members assembled by hand. However, it was the album itself and its stunning quality that got the band signed to legendary punk label Epitaph. Not, unfortunately, the novel way it was packaged. With the proper release of “I Am The Movie”, Motion City Soundtrack finally had some genuine buzz behind them, and they capitalised on that with the release of “The Future Freaks Me Out”, their debut single and concert closer to this very day.
Since then the band has become one of the most beloved cult acts in American rock, with two albums produced by Blink 182 legend Mark Hoppus and record sales in their home country of around half a million. They still tour as heavily as they’ve ever done and in their nearly twenty years together, it means that their live shows are some of the best in modern rock. Truly they’re a band that can reaffirm your faith in rock, honest-to-God good music and the power of a devoted fanbase. Highly recommended.
Emo stalwarts Jimmy Eat World have been truckin' since the early/mid-90s, careening through venues across the world and honing their live show into a precise, well-oiled machine. Make no mistake though, they're not corporatised puppets – Jimmy Eat World retain the raw streak that made them so appealing at the outset of their career. Don't worry, they'll still make you bawl like a toddler who's dropped their ice cream with their tender balladry and grazed-knee emotion. Big numbers such as “Pain”, “A Praise Chorus”, “Sweetness” and “The Middle” are still stellar anthems from the Arizona natives in live settings, and though they've been going over twenty years, the voltage runs hot through the veins of Jim Adkins, Rick Burch, Zach Lind and Tom Linton when they coo, strum, pick and thwack. The energy and emotion courses through them as if each track was being played for the first time. Damaged and Invented may not have charted as well as their early records, but there's not one inkling that Jimmy Eat World are waning in quality. Head back in time, relive those emo years, or discover them for the first time – either way, there's so much to love about these living legends.
I’ve seen these guys 10 or 12 times. I know people who've seen them 40 times. And I’m sure if you Google hard enough, you can find some lovable psycho who’s nearing their centennial show. Why? It actually goes beyond the music here.
But first, an intro: Motion City Soundtrack, or MCS for lazy asses like me, is a quintet of scruffy optimists from Minneapolis. Justin Pierre (the one who looks like he enjoys frenching electrical outlets) is our chatty and quirky lead singer. He and Josh (Guitarist Extraordinaire) started the band over a decade ago. Jesse (Lord of the Moog), Matt (Bass Profundo), and newbie Claudio (Skins Slapper) (That Sounds Weird) (Drummer Guy) round out the group. There used to be a Tony (Post-Calculus-Level Math Rock Drummer), but he retired last year.
Together they create hyperkinetic music that sounds like a mix of lightening, sugar, and something heavy, like vicodin or lead. That is, it’ll get you pumpin’ your fist, but later you’ll realize the lyrics were about a nasty break-up or something. But that’s part of the charm! Check out Capital H, Time Turned Fragile, Broken Heart, or Disappear for a taste test.
Their live shows include a healthy mix of their entire discography. Get FRONT and CENTER, and fun will be guaranteed whether you just heard “Everything is Alright” 5 minutes ago, or you’re a veteran who came to reminisce about that time you accidentally crowd-surfing into the singer’s mike. Once you’re settled, interact with the band and the people around you! The guys seem to like hearing from the crowd. Sometimes singing along is literally required. (I’m looking at you, The Future Freaks Me Out.) And the crowd that this band attracts is full of Quality People. You’re likely to leave with a friend. :)
After, put some extra effort into say hi, because these are some of the nicest guys around and they will always try to meet & greet. Matt in particular is extra kind to nervous-nellies like me <3 . Please note that Justin might not *say* anything to you, because dude has a powerful voice that he needs to preserve for their next 572 shows. He’ll usually express his pleasure at meeting you/need for coffee through hand gestures.
Other Stray Observations:
1) Record in-between-song banter. You will never regret this, since it is never not amazing.
2) Once upon a time, Jesse used to do a handstand on his keyboards at certain times. But no longer, Frodo. Equipment’s getting expensive and he’s getting older.
3) Air-drumming, singing along, and rocking out are all encouraged. But don’t crowd-surf around Justin. That mike thing actually happened to him and he’s a bit paranoid about it.
I’d need a novel to detail all the awesome things that happened for me through this band. But to sum up: A great group of musicians with good personalities attract good people who become great friends. That’s why I happily look forward to my 13th and 35th and 350th show. Please do not miss these guys if they ever come by.
I love going to their shows because it's obvious that they love playing on stage. The bassist is always dancing, the drummer is always smiling, the guitarist absolutely kills his guitar, and the vocalist/guitarist can't help but crack a smile or laugh while singing. It's a joyful performance that's really infectious.
At their most recent gig in Phoenix, the guitarist had the knob holding his guitar strap fall out in the middle of a song. It didn't stop him from wailing away at his solo or the breakdown of the song. It was cool as hell.