Concert in your area for Funk & Soul, R&B, Pop, and Electronic.
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Originally known as Santa Monica, the S.O.S. (sounds of success) Band formed of members Willie “Sonny” Killebrew on saxophone, Billy Ellis on flute, Jason Bryant on the keyboard, Bruno Speight on guitar, John Simpson on bass, James Earl Jones III on drums and Mary Davis on vocals. The band would perform regularly and recorded a series of demos, one of which was heard by Tabu Records who signed the group to their first recording contract.
In 1980 S.O.S. Band released their first hit single “Take Your Time (Do It Right)” written and produced by Sigidi Abdullah and Harold Clayton. The single went platinum, reached No. 1 in the R&B chart, staying there for five weeks, and debuted at No. 3 on the Billboard 200. The debut album “S.O.S.” also performed remarkably well selling over 800,000 copies and reaching No. 2 in the R&B album chart.
The band subsequently toured and welcomed the multi-instrumentalist Abdul Ra’oof to the line-up, whose recording debut with the band came on their sophomore album “Too” in 1981. S.O.S. Band’s third studio release entitled “S.O.S. Band III” came in 1982 with support from producer Terry Lewis.
After these modest successes, Jimmy Jam and Terry Lewis took over the production reigns for LP number four titled “On the Rise”. The album became certified gold as did its successor “Just the Way You Like It” which featured the No. 6 R&B single of the same name. The tide began to turn for the S.O.S. Band with their sixth studio album “Sands of Time” which despite reaching No. 4 in the R&B chart was the last of a string of their distinctive house music releases that made popular the Roland TR-808 drum machine.
Mary Davis announced her departure from the band in 1987 to pursue a solo career, however the band continued-on a released the albums “Diamonds in the Raw” (1989) and “One of Many Night” (1991). In 1994 Davis reunited with Abdul Ra’oof and Jason Bryant in a new band in the hopes of recreating some of the same funky sounds.
Hailing from the Bronx, New York, US, Evelyn "Champagne" King came from a showbiz family, with her uncle being the actor and singer Avon Long and father, Erik King, a popular vocalist in New York City, US. King moved to Philadelphia, US, with her mother in her teens, with the pair getting jobs as cleaning women, whilst still sharing a passion for singing and music.
King was to gain her break into the musical world through a fortunate coincidence. King and her mother were working at Philadelphia International Records' studio, performing their cleaning duties, when producer T. Life overheard King singing from the washroom. Following this powerful voice, he found 16-year old King to be the source, quickly signing the young artist with a production deal and a contract with RCA.
WIth Life as producer, the pair got to work on her first recordings, with the result being "Dancin' Dancin' Dancin'." By 1977, they had enough material for an album, releasing "Smooth Talk" that same year. The single "Shame" was to be her career-launching single, gaining widespread airplay as well as breaking into the Top Ten of the R&B and Pop charts. The second single, "I Don't Know If It's Right" in 1978 found further success, selling Gold and reaching number seven in the R&B charts. The album went on to be a huge success, with this production partnership continuing for two more albums, "T. Life: Music Box" and "Call on Me."
In the early 1980s, King left Life for the producer Kashif, soon finding two number one hits with the singles, "I'm in Love" and "Love Come Down." Her albums continued to place highly in the charts, with 1982's "Get Loose" selling double-Platinum, garnering attention from EMI Records, who signed King in 1988. King worked with Leon F. Sylvers III on "Flirt" that same year, which reached number 20 in the R&B charts. "The Girl Next Door" followed in 1989 but failed to live up to the same commercial success.
In 1995, she signed with British label, Expansion, releasing "I'll Keep a Light On" which featured the musicians Larry Graham, Jeff Lorber and Paul Jackson Jr. King then took a long break from recording music, not returning to the studio until 2007, releasing "Open Book." Between these years a Greatest Hits album was released in 2001, celebrating King's musical efforts. Following her 2007 album, King released two singles since, with 2008's "The Dance" and 2011's "Everybody," featuring Miguel Migs.
ATLANTIC STARR gave an "old vintage" performance, last Saturday night, January 26th, at THE BIRCHMERE! Their hit songs sounded like I was listening to the stereo in the 1980's during their first (1st) release... . It was wonderful to see and hear that ATLANTIC STARR has not aged since that time! Special thanks to the group from White Plains, New York for "The Way We Were"... pun intended! ;)
‘People always talkin’ bout, Your reputation, I don’t care about your other girls, Just be good to me’…what a classic R&B disco track from the 80s. It’s a track that brings back a lot of nostalgia for me and I think everyone at the S.O.S Band’s concert. Although the band have been around since the late 70s, their performances today are still just as knock out as they were back in the day. Changing the line up of bands usually takes away the original spark and chemistry that they had, but for S.O.S, their alteration of artists seems to bring new life and energy to the group.
They came on stage and took their positions behind their respective instruments, and launched straight into High Hopes, before introducing themselves and having a chat with the audience. It was great to hear from them about what they’d been doing in recent years, and how their new track Just Get Ready came about. When they played it, they taught the crowd a small section of the chorus, and got us all to sing along which was cool. It was pretty special to be one of the first audiences to hear the track live.
They really hit the balance of new and old tracks, playing all the hits from their albums, and the number one singles which everyone was loving. The energy and stage presence they gave off was still incredible, and you could tell that they were loving every moment of their performance. Hopefully they’ll keep writing and performing, because there’s definitely still potential for great music to come.
Disco sensation of the late 70s and early 80s Evelyn King is a respected figure in the worlds of R & B, neo-soul and disco. Now well into her 50s, Evelyn may recognise the era of disco is far behind yet she is also aware there is a large following for this music for those searching for nostalgia and those interested in the re-invigorated interest in the scene of the 70s and 80s. With prolific artists including Sister Sledge and Chaka Khan all breaking out, many overlook the sensational King yet if you see her perform live she is not as easily forgotten.
The vocal and stage presence are equally impressive as Evelyn slinks around the space in between her many musicians as she absorbs the good vibes at the same time as her crowd. Demonstrating why she was able to stand out in the first place, King shows off her soulful vocal that is retaining well as she is ageing. Understanding the importance of looking after your instrument, the likes of 'Love Come Down' and 'Shame' sound as perfect as when they were first released all those years ago and the audience offer suitably rapturous applause for this likeable leading lady.