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Miguel Pimentel grew up surrounded by music. Even after his parents split when he was eight, he was still very much in thrall to the classic rhythm and blues that his mother coveted, and his father’s more diverse tastes in hip-hop, funk and jazz. Needless to say it rubbed off on the young Pimentel, who at the age of five wanted to be a dancer but changed his aspirations at 13. The very next year he began writing songs and developing them on an old four-track recorder that he borrowed from his uncle, and before he’d even finished high school he’d struck up a friendship with a member of a local production team called the Drop Squad.
By the time he was 15, Pimentel had signed a deal with the Drop Squad to produce his records, and over the next four years the two began making music and releasing it onto the internet. This paid off in 2004 when he signed a record deal with the independent record label Black Ice. He spent two years making his debut record but it was shelved mere months before release, a single and a video for “Getcha Hands Up” was released but even at 21 years old Pimentel was a savvy guy. He had already moved on from the sound that he’d developed with the label and walked away from his deal to find somewhere he could develop artistically.
Turns out this was the best idea he could have at the time, but it still took a year before anything else started happening. Near the end of that year, Pimentel’s manager submitted an album’s worth of songs to Mark Pitts, the man who would eventually become president of Urban music at RCA Records. Pitts was impressed and called a meeting with Pimentel in October of 2007, The following month, he had a record deal with Jive Records and almost immediately afterwards, he began work on his debut record “All I Want Is You”. Pimentel strengthened his profile by working with Usher and Asher Roth but Black Ice Records managed to delay the release of his album by a couple of years, suing him for breach of contract.
As if that wasn’t enough Jive Records was in the process of going under when the album was released in November 2010, and the album tanked due to lack of promotion. At least initially, it did. However its title track started to get steady radio airplay and that, combined with opening for both Trey Songz and Usher, made the album into a sleeper hit, ultimately spending 45 weeks on the Billboard Album chart and selling over 400’000 copies in the U.S alone. Jive Records was finally shut down and absorbed by RCA Records in 2012, and with Pitts the head of urban music, Pimentel signed with RCA and in October, released his first bona-fide hit album.
His second effort “Kaleidoscope Dream” went straight in at number three and he had his first top twenty hit on the Billboard Hot 100 in the form of its lead single “Adorn”. Pimentel was finally a legitimate pop star, and ever since then his star has just risen and risen, leading to sold out concerts all over the world and a million selling collaboration with the one and only Mariah Carey in the form of “#Beautiful”. Clearly, this is an artist who could quite easily achieve greatness in the very near future, he’s at the peak of his powers and we’re lucky enough to watch it unfold in real time. Highly recommended.
Born in 1988 in the West Side of Detroit, Michigan, Big Sean, born Sean Michael Leonard Anderson, spent his years working on his rapping whilst at the same time building an important relationship with local rap station WHTD.
When in 2005 Sean heard Kanye was going to be interviewed at the station, he rushed over hoping to meet one of his heroes. After Kanye reluctantly heard Sean freestyling, he was impressed enough to take a demo. This was the beginning of an important future friendship for Sean and two years later he signed to Kanye’s GOOD Music label.
He soon released his first mixtapes ‘Finally Famous: The Mixtape’ in 2007 and two years later ‘UKNOWBIGSEAN’, both of which began to build his profile with the help of hit singles like ‘Get’Cha Some’.
His debut album ‘Finally Famous’ came out in June 2011 and was a huge success spawning singles like ‘My Last’ and making its way to number 3 on the Billboard 200.
Sean continued to ride the success of this album when he began work on his next project, a collaboration between GOOD Music artists that would eventually become ‘Cruel Summer’. Released in 2012 this was another home-run success birthing the Billboard Award winning single ‘Mercy’.
In 2013 Big Sean released his second solo album ‘Hall of Fame’ and when it reached number one in the R&B and Hip Hop albums there was no denying that Sean really was Finally Famous.
Kennedy released his debut mixtape album “25th Hour” in 2008 and a buzz soon surrounded him on South side L.A. His track “Watermelon Sundae” in particular was played widely on local radio stations. He went on to release a further four independent mixtapes, most notably his third, the critically acclaimed “From the Westside with Love”, released in 2010. The mixtape gained over 100,000 downloads, and Dom Kennedy was quickly being recognized as a major player on the West Coast hip hop scene.
In June 2011, Dom Kennedy released his first commercial studio album on iTunes, titled “From the Westside with Love 2”. It reached the top ten of hip hop and rap albums during its first week and was his first album to be released under self-established record label Other People’s Money. Stand-out track “My Type of Party” is one of his best-known songs and was ranked by Complex Magazine at number 43 in its “Best 50 Songs of 2012” list. In 2012 he also travelled throughout Europe and the US for his Yellow Album Tour.
Major-label Interscope were interested in signing Kennedy in early 2013, however he turned down the offer and chose to remain independent. His second album “Get Home Safely” was released through his label Other People’s Money and debuted at number 29 in its first week, selling over 10,000 copies in the US. Guest appearances on the album from other artists include Skeme, Krondon, Ty Dolla Sign and Nipsey Hussle.
Dom Kennedy has collaborated with many other hip hop artists, including King Chip, Big Sean and Curren$y and has himself made guest appearances on several albums. In particular, he appeared on the track “She Needs Me” with Kendrick Lamar and MURS in 2010. Kennedy cites Notorious B.I.G, Outkast and LL Cool J has three of his most prominent influences.
Born on 4 April 1981, Curren$y signed with Master P’s No Limit Records in 2002. He was also a member of 504 Boyz and made multiple appearances on Master P’s “Good Side, Bad Side” record in 2004. Later that same year, he signed with Cash Money Records and Lil Wayne’s Young Money Entertainment and released a mix tape entitled “Welcome Back.” Additionally, Curren$y started Fly Society, first as just a clothing company, then as a company that also released music. Led off by the single “Where Da Cash At” he released his mix tape album with Young Money Records “Music To Fly To” in 2006.
In 2009 Curren$y signed with Amalgam Digital to released his album “This Ain’t No Mixtape,” which was followed shortly by the release of “Jet Files.” A year later he released “Pilot Talk” which featured guests such as Snoop Dogg, Mos Def and Big K.R.I.T. A mere four months later he followed up with his fourth album, “Pilot Talk II” which featured Fiend and Raekwon. On 11 February 2011 signed with Jet Life Recordings, an imprint of Warner Brothers Records. He released a ten-track album for free entitled “The Alchemist” followed by a mix tape “Weekend At Burnie’s.” Early the next year, Curren$y released his next album, “Muscle Car Chronicles,” followed by a consistent release of albums and EPs, and in 2014 he released “The Drive In Theater.”
Born Casey Jones in Inglewood, California, Veggies delivered his debut mixtape at the modest age of 14 entitled “Customized Greatly Vol. 1”. By this time he had co-founded the hip hop group OFWGKTA and made contributions to their debut mixtape “The Odd Future Tape” released in 2008. Following the release, Veggies left OFWGKTA to pursue his own rap destiny, later releasing his follow-up mixtape “Customized Greatly Vol. 2” in collaboration with Def Jam’s YG. In a partnership alongside friends Joshton Peas and Anwar Carrots, Veggies founded the rap and business venture PNCINTL, otherwise known as Peas & Carrots International.
After graduating from high school, Veggies released his third mixtape “Sleeping in Class”, which the rapper supported by joining Mac Miller as an opening act on the Blue Slide Park Tour in 2011. Veggie has since performed alongside Nipsey Hussle, Dom Kennedy, Kendrick Lamar, Rita Ora and Wiz Khalifa, before dropping his fourth solo mixtape “Customized Greatly Vol. 3”. It wasn’t however until 2013 that Veggies earned his big break with the release of the mixtape “Life Changes” in January. By February 2013 the rapper signed with VIC and Epic Records, released the mixtape ‘Fresh Veggies” with Rockie Fresh, and began work on his debut studio album. In anticipation of the record the rapper began releasing singles including “The Boy” and “Backflip” featuring Iamsu! in 2014, and “Tied Up” featuring Dej Loaf in 2015.
Miguel is a great live singer and knows how to woo the crowd. He music is so amazing I almost didn't want to leave the concert when it was over. He skills goes far beyond just music, he's a songwriter and producer, showing he can really do it all.
I felt so lively in his concert it made me feel the best I have felt is some time. I truly loved every minute of his performance. He's totally professional and gives you exactly what you came and paid for. You will not be disappointed seeing him live.
The concert was great and I know good music when I hear it and this is where it is at. I kept screaming I love you Miguel although I know he couldn't hear my it seemed like it was only him and I in the venue and he was personally singing to me. I love him and his stylish ways I didn't want the concert to end.
I really love this man if I could I would ask him to marry me and I would always sit front row to be in awe of him. I have plans to actually see him again in another city.
Big Sean's concerts are a lot like his music: heavy on the beats and the bass, a little irreverent, and jocular. You never know what he'll pull out of his sleeve. During smash hit "High," he stumbles on stage as though intoxicated. When the time comes to perform hit "Clique," he'll bring other GOOD Music members onstage to rap their parts live. And don't be surprised if he sheds a tear during his more emotional tracks, like the aptly-named "Memories."
Fan appreciation if a major part of Big Sean's shows. He focuses on keeping the crowd engaged, whether it's dancing or rapping along (or both!). To connect, he might jump into the crowd for a little surfing, or clasp hands with as many audience members as possible. And that high-energy attitude extends to his performances, too--he makes a point to rap over instrumentals, eschewing backing vocals.
His attitude is always tempered by humor; the bragging is never offensive. He jokes with the crowd to warm them up at the beginning. He'll pull off his shirt to prove he has no tattoos--his mother doesn't approve of them. And he thanks her for everything she has taught him in between songs. The humor, the emotions, and the booty-shaking music make his concerts feel like one big party, one you'll want to go to again.
Hip hop artist and record label owner Dom Kennedy has always prided himself on remaining independent from the corporate world and attaining his own version of creative freedom. That is not to say the Californian musician has not frequented the charts from time to time, with his 2012 track 'My Type of Party' becoming an arguable contender for anthem of the year. However on the live circuit he has achieved his success the hard way through graft and dedication and it now pays off as fans pack out venues and snap up tickets fast.
His albums have been consistently holding steady on the US charts and his fanbase expands all the time as people discover the tracks for the first time and with a large list of frequent collaborators including Curren$y, DJ Mustard and Big Sean he is a recognisable name in the world of hip hop now so people unaware of the discography will take a bet on the show. They make good choices as Dom confidently steps out tonight supported by a tight entourage of DJs and hype men, he has the crowd in the palm of his hand all night as he runs through a fifteen song set culminating in the jumping 'Nothin' Like Me'.
I had only seen a few videos of Curren$y's performances, so I was going into this without knowing what his energy would be like. After arriving and waiting for what seemed like forever to see Curren$y perform, when he came out to do his set, the crowd immediately got excited. He came out and was suprised to see the energy throughout the building. The whole time, he was making eye contact, between songs he would talk to the people out in the crowd (not just the front) and make jokes, he even held someone's phone and spoke with someone on FaceTime that was unable to make it out. He's extremely personable. And song, in and out, the songs sounded very good, live and all. No doubt when he comes back out, I'll be in attendance.
There’s a nice dichotomy to Chip tha Ripper’s stage name - something innocent about the first part, and downright sinister about the latter - but, in truth, nothing about Charles Worth’s career in the rap game - which has spanned more than a decade to date - has really played off of that idea of light and shade; instead, for an artist who has always been on the mainstream side of the genre as far as the promotion and commercial success of his releases have been concerned, he’s actually often veered very close to what I’d classically consider to be alternative hip hop territory - consider, for example, the fact that his lyrics can go from being stark to downright funny in the blink of an eye, and that he’s worked hard to incorporate certain southern rap stylings - bearing in mind that particular scene was all the rage when his career began in 2002 - like the chopped and screwed remixing approach into his music. In more recent years, he’s probably been most notable for his hookups with his friend Kid Cudi, appearing prominently on his Man on the Moon: The End of Day LP as well as its sequel and A Kid Named Cudi, the mixtape that launched him into the big time.
Long before - well, four years before - Odd Future were making waves with their deliberately controversial brand of alternative hip hop, The Cool Kids - a Chicago/Detroit duo made up of Chuck Inglish and Sir Michael Rocks - were carving out a reputation for themselves for all the right reasons; sonically adventurous and lyrically abstract, they were well and truly making their own lane in an overcrowded genre, and proving themselves to represent a serious breath of fresh air in the process. Their debut EP, The Bake Sale, met with a rapturous critical reception and had the genre’s biggest names queueing up to work with them; they’ve collaborated with the likes of Drake, Lil Wayne and Ludacris since. They pursued solo projects after releasing their one and only album to date, When Fish Ride Bicycles, in 2011 - Inglish dropped the superb Convertibles LP earlier this year - but are now readying their long-awaited sophomore effort, Shark Week, for later this year. To preview it, they’ve lined up two UK dates for late August - one in Manchester and one in London - which promise to be among the hip hop live events of the year. The duo bring their trademark eccentricity to the stage, playing their own solo cuts as well as classic Cool Kids tracks in a manner that sees their trademark off-beat flow interweave cleverly with each other’s - no discerning rap fans will miss these shows, especially with the possibility of a live debut for Shark Week material.
21-year-old OFWGKTA founding father Casey Veggies is one of rap's brightest young stars – and there's a lot of stars these days. Although he's no longer a member of the Tyler, The Creator-fronted collective (disappearing from the ranks to tread his own path), he remains pally with them, with Earl Sweatshirt inviting him to guest on 2013 single “Hive”. Mac Miller is another prolific collaborateur, spilling lines all over “Can I Live”, one of Veggies' best known cuts. Veggies (real name Casey Jones), is a whirlwind of hip-hop mayhem. At gigs, he may not brandish the same immediate danger that his former group are notorious for, and the police don't bust up the action quite as often, but Veggies is still a paragon of the rap game. Chock full of fist-pumping pomp and braggadocio glistening on his brow, Veggies talks a big game and delivers on all fronts.
His sets are peppered with underground favourites like “Faces”, “Ridin' Roun Town” and “Life Changes”, and the former MySpace icon demonstrates his unmatched ability spitting rhymes over trap beats and icy synth shards, all the while interacting with the crowd. By the end, if you're not soaked in frenzied sweat, you must've been asleep. Like Mickey Mouse in Fantasia, Veggies stirs up intense motion, faces down the elements and conjures some of the most impressive illusions the world's ever seen. Though in Veggies case, the illusions are flows, not cartoon spells.