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Initially began as a solo project, Jeremy Earl started making music under the moniker of Woods in 2005. Woods aced as an opportunity to refresh Earl’s songwriting outside of Meneguar’s indie-rock fare, focusing on acoustic instrumentation and a lo-fi, psych-addled folk sound.
His debut release was the double-cassette “How to Survive In/In The Woods,” on Fuckittapes. Earl went on to record prolifically in the following years, releasing new music at regular intervals. In 2007, the 7” single, “Ram,” a second album in “At Rear House,” and the CD reissue of “How to Survive In/In The Woods,” were all released that same year, on Earl’s own label, Woodsist. “Family Creeps” followed the year after, signalling a change in sound and lineup after Earl expanded his solo project to include Jarvis Taveniere and G. Lucas Crane.
Woods’ fourth release appeared in 2009, titled “Songs of Shame,”an album that broke Woods into a larger audience after been selected by Pitchfork as ‘Best New Music.’ “At Echo Lake” was Woods’ next effort, that featured new member Kevin Morby on bass in 2010, with Earl and the boys not waiting long before unleashing their next collection of new material, “Sun and Shade” the next year.
With the added members, Woods moved from its gentle solo acoustic tone to a more electrified roots-rock reminiscent of Neil Young & Crazy Horse. Aaron Neveu joined on drums, providing extra rhythmic interest. In 2012, they joined with Amps for Christ on a split-LP, helping to build anticipation for their fifth full-length, “Bend Beyond,” which appeared later that same year. In 2014, Woods were back once again and “With Love and With Light” they were even more polished and refined than before.
Once each earth orbit around the sun a gathering of people (all walks) come together for a free fest of music, arts, food, & shopping but mostly music. This has come to be known as Wicker Park Fest. Stretching from six corners to Ashland, it is currently Chicago’s front runner in free street fest with Do Division & West Fest not far behind. Each summer there is a handful of worthy bands, especially headliners. In 2011 it was Wavves, The Drums did the deed in 2012, and last year it was an overcrowded underwhelming performance by Cults. Regardless a lot to live up too. On a breezy slightly rainy Chicago Sunday night, a band beyond was handed closing honors. Two bigger acts (in terms of popularity) cramped them to the smaller Smart Bar Stage smack dab center fest. Turns out Woods’ stage on Wood street is the most fitting jungle. 5 Brooklyn boys plug in, tune up, and start meshing. Their chemistry that of cat n nip. ODESZA & Jeff The Brotherhood housed the majority of the remaining fest goers which made Woods performance much more intimate. Early into the set the crowd was heavy in chatter, reflecting a negative vibe on stage. It was hard to hear lead singer/guitarists Jeremy Earl, as his voice is naturally soft without a bunch of people talking over him. It didn’t take long for the music to speak up, and silence the yappers. Midway thru “Moving To The Left” which showcases the bands more melodic style, the crowd was on the same page. The marquee smell of marijuana, and body sweat filled the muggy air, but a strong breeze stabilized the elements. It was a dream like vibe and a solid set. Easily one of my favorite performance in WPF history. Woods did a rare festival encore, overly-satisfying everyone’s night.