It’s a matter of time. 52 years to be exact. And in that time Los Lobos have created an unprecedented body of work, a legacy of greatness. The numbers are staggering: 100+ gigs a year for five decades running, crossing millions of miles to rock millions of fans. And that’s just at the live shows. In between they’ve recorded 17 studio albums, 7 live LPs, 3 compilations, 2 EPs, 2 DVDs, and contributed 40+ guest appearances on their friends’ recordings—all garnering 4 Grammys, an Austin City Limits Hall of Fame induction, the ALMA Ritchie Valens Pioneer Award, NEA and Hispanic Heritage Foundation Honors, Congressional recognitions, plus countless “Keys to the City” and “Los Lobos Day” celebrations. And those are just a few of the highlights.
Talk about a living legacy. Talk about a productive half century. And in the true rebel spirit, they did it all on their own terms, against formula. For the ages. To our delight. Quite simply, they are one of the tightest, one of the best, one of the most prolific bands ever. And, amazingly, with the original founding members as the pack the entire time. Unprecedented. As their liner notes put it, quite simply: “Los Lobos still are David Hidalgo, Louie Pérez, Jr., Cesar Rosas, Conrad Lozano, Steve Berlin.”
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High school mates David Hidalgo (vocalist/guitarist) and Louie Perez (drummer) bonded over their love for music, and later recruited Cesar Rosas (vocalist/ guitarist) and Conrad Lozano (vocalist/bassist) to join them in a band in 1973, originally calling themselves Los Lobos del Este. Over a span of four months in 1977, the band was able to record their first album, “Los Lobos Del Este De Los Angeles,” and it was mostly recordings of music spanning from free-form jazz, to Top 40, to parody songs. However, they were not quite satisfied with what they were playing so they started to experiment with traditional Mexican music, and later added elements of rock to the sound.
In 1980 their performance at The Olympic Auditorium in Los Angeles garnered the attention of prompter David Ferguson, who hired them to open for Public Image ltd, and in 1983 the band released an EP”…And a Time To Dance” which helped them earn enough money to buy a tour van to set out to the rest of the United States. Their first major label album, “How Will The Wolf Survive?” in 1984 was met with critical acclaim and helped put them on the map.
Throughout the late 80s and early 90s, the band spent time extensively touring around the United States, returning with an album entitled “The Neighborhood” in 1990, followed by “Papa’s Dream” in 1995. The album that followed, “Colossal Head” was equally critically acclaimed, however Warner Brothers decided to drop the band from their roster, leading to Los Lobos signing with Mammoth Records in 1999. After signing with Mammoth, the band found continued success, both with the albums they released, as well as with their live shows through touring.
With a name that translates from Spanish as ‘The Wolves’, Californian outfit Los Lobos have managed to remain a going concern for in excess of forty years now, relying on an unusual fusion of some pretty diffuse - and, in some cases, niche - musical styles to set them apart from many of their contemporaries. It’d be accurate to describe their sound as very much an American one, but just quite where in America is another question entirely; there’s some North American influences - Americana, heartland rock - as well as some more decidedly southern Tex-Mex and Latin rock styles, too. Having released eighteen full-length albums at this point, with their most recent, Disconnected in New York City, dropping in 2013, the band remain a exciting live proposition, something that’s bolstered by the fact that the lineup is largely the same, still, as the one that formed the group back in 1973. Their shows see them run through their back catalogue, and accordingly, run the gamut between a host of musical styles, with a diverse range of instrumentation on hand to help them do the blend justice. Their most recent UK dates came last year, in support of Neil Young and Crazy Horse; look out for their own shows sooner rather than later.