Glen Hansard und Courtney Marie Andrews

Ever since seeing the film “Once”, I have wanted to see Glen Hansard live. In the film he seems to sing so beautifully and effortlessly, I hoped it would be the same when I saw him live at a small club in my town. The show was rather small, consisting of only two or three hundred dedicated fans. Everyone seemed to be really into singer songwriter type music and were artistic types. It was cool being around so many creative people. We all enjoyed the opening bands and were all really excited by the time Glen took the stage.
He walked across the stage and took a seat behind a keyboard and began to play under a red tinted spot light. He played some newer songs that I had not heard but were really good. Several people knew them and were singing them next to the stage.
Half way through his set he got up from the keyboard and grabbed the acoustic guitar, the same one with the hole in it made famous in once, and began to strum. He played several songs from “Once” and the crowd was sucked in. Some People swayed to the powerful lyrics and a few cried.
Glen ended the set with the song “Say it to me now”. It was one of the most powerful performances I have ever seen and a great way to finish the night. A beautiful concert.

Saturday 4th March. The Keep, Guildford. Courtney Marie Andrews. So a complete contrast to my last gig with twenty thousand people in the behemoth that is the O2 on Monday to a tiny pub in Guildford with fifty other hardy souls.

Courtney Marie originally from Phoenix, Arizona and latterly of Seattle is difficult to classify. She sits with one foot in each of the country and folk camps. Her voice seems to drift effortlessly from a Mary Chapin Carpenteresque classic country style through Carole King, Laura Nyro to the modern folk sound of Laura Marling taking in everything that was great about seventies Laurel Canyon. It’s a beautiful instrument, powerful yet understated.

Tonight she is supported by her friend Bryan on pedal steel to give the songs a little more depth as and when she requires. Whilst Courtney has produced several albums it is her current album ‘Honest Life’ that has finally given her the recognition she deserves. Most of the set comes from this along with a couple of newbies and oldies.

‘Table for one’ and ‘Put the fire out’ (which has an uncanny similarity to Steve Earle’s ‘Guitar Town’) stand out for me in a night full of highlights. After an hour it’s all over but such is the size of the venue there is no escape from the crowd and she returns back to the stage for two encores and it’s probably only the British politeness that allows her to finish there as I could have happily listened for another hour.

Special thanks to the pub and promotor who saw her potential early and booked this artist for such a small venue. She won’t be playing pubs this size for much longer as demonstrated by her return trip to these shores in September. One word for the venue though. When it’s a sold out show like tonight it might be an idea to have at least a couple of rows of chairs at the front and then standing behind. As the audience are so close, unless you are literally right in front you cannot see the artist at all especially someone as tiny as Courtney. A minor grip though on a magical evening.

Keep on folk country rockin’ y’all.