Led by Ben Gibbard (vocals/guitar), Death Cab for Cutie began as Gibbard's solo project, undertaken whilst studying at university in Washington, offering a break from his involvement in the power pop band Pinwheel. Gibbard recorded an album's worth of material in 1997, which eventually found release as a cassette, "You Can Play These Songs With Chords." The release found local popularity, with Gibbard deciding to expand the lineup into a full band. Death Cab for Cutie was then born, before signing to Seattle-based label, Barsuk Recrds, the following year.
Their debut album, "Something About Airplanes," was released in 1998, after which a short break ensued, with Gibbard becoming involved with the Postal Service. In 2000, new material arrived, in "We Have the Facts and We're Voting Yes," with their third, "The Photo Album" appearing a year later, building a sizable following in the process. Their emotional yet hook-laden indie rock continued to find success, with 2003's "Transatlanticism" gaining critical praise and mainstream airplay on radio and television. Atlantic Records then snapped up the band, with Death Cab for Cutie signing a major label deal in 2004.
"Plans" became their major label debut, debuting at number four on the Billboard charts. The album eventually became certified Platinum, gaining three hit singles and a Grammy nomination by the end of the year. Continuing to tour and release well-received albums, Death Cab for Cutie became one of the most popular indie bands of the decade. After a short break, the band returned in 2011 with renewed focus, finding a number three album in "Codes and Keys." In 2012, Gibbard released his first solo album, "Former Lives," before his band began work on their eighth album, "Kintsugi," for a release of March 2015.
Death Cab always brings the crowd to it's knees. Their sound has progressed in a more poppy way over the years, but it's the old nostalgic songs that they lean on in every show to connect with the audience and then ultimately, tear them open. On top of that, they sound a lot bigger and louder than you would expect from their albums.
There is always some sort of unique experience, too. Whether it's jamming out at the end of a random song for 15 minutes, bringing extra musicians or instruments on stage, or even by touring with a full experimental orchestra, DCFC shows are always memorable and powerful. Lastly, lead singer Ben Gibbard can really pluck at your heartstrings with a good acoustic set. If you want to feel something when you go to a show, DCFC won't let you down.
Japanese Breakfast started their set with full of energy with "Everybody Wants to Love You", followed up by "In Heaven". It was shame that the crowd was pretty dead for this show because the band absolutely killed it. The transitions between songs was smooth, Michelle's banter was hilarious, and they just looked like they were having an awesome time. I took my cousins who heard Japanese Breakfast for the first time and they're fans now. Our favourite song was "Jane C*m". The drums were particularly amazing here and toward the end of the song Michelle just had this huge roar, they totally created this cool mood and it really turned over the set. They also played a couple new songs and so I guess all I can say is that I'm really looking forward to hearing what they will sound like on their next album (if they have one) - the new music is amazing! They didn't play an encore and though the group I was standing with badly wished they would (and we were totally yelling for them to), the crowd was really just so energetic. But! Michelle did hang out right at merch and talked to everyone passing by. I really wanted the black sweater from their bandcamp, but they were only selling the white shirts. Still I got it, asked Michelle to sign it while I totally fangirled, and she was totally cool and gracious.
Japanese Breakfast - come play in London again soon!!!