Cradle of Filth, Suffocation, Ghost Bath, e Cultus Black

It’s night on impossible for a band to last on shock-value alone Look at the recent career of Marilyn Manson for proof of that fact. However, for most part that means that if you find a band or artist who’ve been relevant for longer than five years with a controversial or eye-catching image, they’re usually the real deal. Nowhere is this more apparent than in Suffolk extreme metal icons Cradle Of Filth, who’ve managed to balance baiting absolutely everyone under the sun with releasing some of the best British metal of the 1990’s.

From the very beginning of the band, Dani Filth has been the sole constant member. Even the first incarnations of the band were erratic, with line-up switching drastically every time they recorded and released their demo E.P’s. Invoking the Unclean, Orgiastic Pleasures Foul and Total F**king Darkness, were all released in 1992 with three different line ups playing on them, They were still enough to generate some label interest, and after a disastrous stint on Tombstone Records where their debut album was wiped entirely when the label went bankrupt, the bad signed to Cacophonous Records to release their debut album “The Principle Of Evil Made Flesh” in 1994.

The album was critically revered however, even if it does bear little resemblance to modern Cradle Of Filth records. Almost immediately after the release of their debut however, the band became embroiled in a nasty legal spat with Cacophonous Records which took them out of commission for the whole of 1995. The following year, after a hastily recorded E.P released to get them out of their record deal, they signed to Music For Nations and in the same year they released their breakthrough record “Dusk… And Her Embrace”.

The critical notices that the album received, their theatrical live shows and a line of controversial merchandise, including the infamous “Jesus is a C*nt” T-Shirt, led to a high degree of notoriety for the band. Of course, there’s no such thing as bad publicity and ever since then, they’ve had a devoted following around the world as much for their music as their gothic image and controversial statements. It’s rare for a band to retain their ability to shock while still creating relevant music, but Cradle Of Filth are a sign that it’s still very much possible. And they come highly recommended.

I guess we can let the state of New York off the hook for not giving us as much great death metal as places like Florida, Gothenburg and Stockholm. In between Patti Smith, Talking Heads, The Velvet Underground, Jay Z, Biggie Smalls and the Yeah Yeah Yeahs, I think they’ve earned the right to be lacking in one or two genres. Even then, they’ve still given the world two of the most respected and well known death metal bands in the world in the form of Cannibal Corpse, and the band that pioneered the technical death metal style, Suffocation. In fact, if it wasn’t for Frank Mullen’s vocal style on their album “Effigy Of The Forgotten”, then we probably wouldn’t have death growl vocals as we know them today. Needless to say, Suffocation are a very important band.

The first incarnation of Suffocation was put together by Mullen in 1988, however only he and bassist Josh Barohn lasted into the bands classic line-up after they first formed. The classic line up came when Mortuary, a local band who had been playing a few gigs with the fledgling Suffocation , split up. Their guitarists, Terrance Hobbs and Doug Cerrito, along with drummer Mike Smith got in touch with Mullen and the classic line up was formed. By 1991 they had signed to Relapse Records and had released their first E.P, called “Human Waste”, already their brand of extremely technical metal blackened by grindcore influences was unlike anything many fans of extreme music had heard before, but none of them could be prepared for what could come next.

Their debut, “Effigy Of The Fallen” was released the same year and hit the metal scene, that was already in the rudest health it had ever been in, like a meteor. To this day it’s cited as holy text by most death metal bands, and deathcore groups owe most of their existence to it. The band released two further albums, “Breeding The Spawn” and “Pierced From Within” and toured relentlessly around it before internal friction and tour exhaustion made them split up in 1998, after releasing one last E.P in the form of “Despise The Sun”. However, they weren’t going to stay down for long and triumphantly reunited in 2003.

After a comeback album released the year after, the band went on to play to audiences bigger than they ever could have been originally. It was a textbook case of a band being more influential in death than they were in life, and their comeback tour took in playing to over 33’000 fans at Germany’s Wacken Festival that same year. Since then the band left their original home at Relapse to join up with Nuclear Blast, they’re still touring like there’s no tomorrow and creating new music despite some line-up troubles. They’re an inspiration to any heavy metal fan around, and come highly recommended.