Michael Bibi, Seth Troxler, Franky Rizardo, e Delilah

He’s the fucking goat
He’s the fucking goat
He’s the fucking goat
He’s the fucking goat
He’s the fucking goat
He’s the fucking goat
He’s the fucking goat
He’s the fucking goat

The end x

Watching a DJ who knows hoe to give a great performance as well as simply playing their tracks from their booth is something incredible to watch, and witnessing Seth Troxler’s performances with his quirky dancing and great interaction with the audience was awesome. His techno and house fusion was perfect to get the audience going, and form the moment he shouted ‘I wanna hear everyone screaming, and see you all dancing’, the crowd were totally dedicate to his performance He’s played at massive clubs all over the world, and know exactly how to please an audience. His variation between his remixes, tracks with samples, and original tracks is great, and he kept the audience enthralled from start to finish. He played through the entirety of Aphrika EP, which he worked on with Wolf & Lamb, and even got some of us in the audience to sing along to the samples into a microphone he had.
She show was over 2 hours long believe it or not, but it flew by with all the dancing and the energy that was radiating from Troxler. It was a fantastic show, and great to see some genuine talent from a DJ for once!

As far as big voices go, ‘trip-hop for the new millennium’ star Delilah definitely delivers. The not long out of college popstrel has been igniting dancefloors and speaker systems since 2011, when she perfomed on fellow Londoners Chase & Status’ track, ‘Time’. Her powerfully melodic voice and impressive sultry-whisper-to-belting-roar vocal range combine effortlessly with both her more ambient, soulful beats and her amped-up electronica floor-fillers. Citing Portishead, Massive Attck, Amy Winehouse and Nine Inch Nails as some of her musical influences, it’s clear that the girl has a lot to offer musically. The garage-meets-soul-meets-dubstep approach of her debut album ‘From The Roots Up’ has been thoroughly well received, with the singer selling out large venues like the Shepherd’s Bush Empire in London.
I saw Delilah a couple of years ago at the Ile Of Wight-based festival, Bestival, and thought she was fantastic. Having only heard her collaboration with Chase & Status previously, I was blown away by her beautifully powerful voice and her unique blending of genres. The ravey single ‘Go’ and the buzzy ‘So Irate’ were both crowd-pleasers, and the party didn’t slow down even when the singer performed one her more soulful songs, ‘Come Home’, a ballad that she dedicated to the death of her stepfather. Throughout her short time on the festival stage, Delilah held her own and put on a great, true-to-record performance.