Though Dan Smyers (born 16 August 1987) and James Shay Mooney (born 27 December 1991) did not start performing together until 2012 both members had pursued other music related projects in the past. Smyers a native of Wexford, Pennsylvania, US and an alumni of Carnegie Mellon University initially acted as a solo artist on T-Pain’s label Nappy Boy Entertainment. He later went on to join Bonaventure as well as the pop punk group Transition.
Around this time Shay (four years younger than Dan) was still in high school. After graduation he briefly attended Valley Forge Christian College in Phoenixville, Pennsylvania, but dropped out to follow his dream of being a musician. Some of Shay’s earliest works were his performances with fellow country artist, Veronica Ballestrini. The two picked up a strong youtube following and consistently posted videos online of cover songs and originals.
Dan and Shay met at the close of 2012 in Nashville, Tennessee, US and the very next day started writing songs together. The duo showed a strong sense of chemistry from the very get go. The 1st song they wrote was a contending track for the Rascal Flats to use. This undoubtedly set off a storm of hype and landed the group several offers for a record deal. They eventually signed on to Warner/Chappell Music and on 14 October 2013 issued their debut single “19 You + Me”. The track was positively received, praised for it’s warm sentimental tone. This song as well as their hit single “Show You Off” were featured on their 1st studio album “Where It All Began”. The album was released on April Fools 2014, but this release was no joke. It saw the band skyrocket to success, playing at the Grand Ole Opry, making highly publicized appearances such as on the Ellen Show and even scoring a nomination at the Academy of Country Music Awards for “Vocal Duo of the Year”.
Additionally the duo has made quite a stir on the road. Dan + Shay embarked on a tour in promotion for their debut album and opened for big name country acts such as Hunter Hayes and Blake Shelton. Later that year the duo gained enough prominence to head off on a 12 date headlining tour.
Marx’s career started aged 5, when he would sing jingles written by his father, who owned a commercial jingles company. It was when he was 17 that one of his demos ended up in the hands of Lionel Richie who invited Marx to sing on his debut solo album. Marx flew over to Los Angeles after his graduation to find himself singing on the songs “You Are”, “Running with the Night” and “All Night Long (All Night)”. His session singing career snowballed and he found himself singing for artists such as Madonna and Whitney Houston, which eventually turned into a songwriting career. He offered his song “Crazy” to Kenny Rogers, who recorded it, and also took the song “What About Me?” which featured the writing credits from James Ingram and Kim Carnes.
Marx finally released his eponymous debut album in June 1987, which would go on to sell almost four million copies in the US. The huge sophomore album “Repeat Offender” knocked Prince off the number 1 spot on the Billboard 200. The album would go triple platinum and eventually sold 5 million units in the US alone. It was the first two singles “Satisfied” and “Right Here Waiting” that went to number 1 in the Hot 100. He followed the success of this album with an international tour that included a visit to the Royal Albert Hall in London.
His third Platinum album “Rush Street” released on October 28th 1991 unfortunately didn’t quite achieve the success of the previous two albums, making it to number 35 in the Billboard 200 charts. Unfortunately, from the album “Flesh and Bone” released on April 8th 1997 until “Beautiful Goodbye” released on July 8th 2014, Marx chart success declined slightly, but it certainly didn’t have hinder on his biannually royalties check.
Dan + Shay aren’t your regular crusty country old timers. This duo are hoping to bring a bit of youthful polish to the genre and having already scored a number one album on the country charts this year, it looks like the fans are ready for it. With a combined age of less than that of a lot of country singers, this pair have developed quite a song writing connection, and with that comes a palpable chemistry that is clear to see on stage.
The pair are magnetic, bringing at bit of almost boy-bandish charm to their sets which definitely helps to get the crowd involved. They stride confidently from song to song, with Shay often displaying the full range of his vocal skills leaping from a rich mid-range to a heavenly falsetto without missing a beat. The songs are honest and pure and make for some real lighters-in-the-air sing-along moments. If you’re a young person who thinks that maybe country isn’t for them I would recommend seeing Dan + Shay who will make you realise how poignant and current the genre can be. And they ain’t too hard on the eyes either…
Richard Marx has been a billboard-topping, Grammy-winning hit-maker since the 1980s, as both a talented pop-rock writer/ musician in his own right, and with his songwriting- creating songs for huge acts such as Keith Urban’s Long Hot Summer, the N*Sync hit This I Promise You (remember them? That song was huge!) and Luther Vandross’ last hit record, Dance With My Father.
When I saw Marx at the elaborately ornate Shepherd’s Bush Empire venue in London in 2010, he played these songs, in his own impeccably classic style, and Dance With My Father was performed as a poignant tribute to a “dear absent friend”. The setting and atmosphere (picture lavish red velvet curtains and seats, Rococo-style statues adorning the walls, and gigantic chandeliers) really made the song feel all the more genuine and beautiful. The inclusion of a string orchestra in his live set further added to the epic sincerity of the experience of seeing Richard Marx live. His playful, witty audience shout-outs during the heart-wrenching ballad Angelia- “Come on, you all know the words to this one”; “This is where a guitar solo would go” (just before the song’s bridge)- injected humour and a closeness into the show, and added to the layered emotionality Marx is able to tap into and bring out of his audience.
With his timeless, classic approach to song composition and balladic numbers such as the (still-evocative) love songs Right Here Waiting and Beautiful Goodbye, Marx could, on paper, be plonked into the not-exaclty-favourable category of ‘dad-rock’ today. However, the sheer emotional force of his catchy, soaring hooks played out by a full string band, paired with his genuine superstar stage presence and husky yet sweetly sincere vocals, make seeing Marx live a truly incredible and emotive experience, that would stir the heartstrings of even the most stubbornly stoic hardballs in the audience. His songs (and vocal chords) have both definitely stood the test of time. You’ve gotta hand it to the man, he’s most certainly still got it- and trust me, it’s even better live.