Machinefabriek Concert Tickets - 2026 Tour Dates
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Thursday 21 April 2022

Venue

Cafe OTO
18-22 Ashwin Street, Dalston, E8 3DL, London, UK
Capacity: 200

Additional details

Tour name: Boundary Condition x Phantom Limb
Doors open: 19:00

www.cafeoto.co.uk/events/boundary-condition-x-phantom-limb

Boundary Condition is a durational sonic immersion for the rabidly sentimental: investigating the parallelization between dark-jazz, hauntology, and music concrete as nostalgia-centric practices trickling from the persistence and antagonistic fragmentation of certain memories. BC collaborates with Phantom Limb for this special edition featuring Matchess’ Sonescent album launch.

Matchess
Chicago-based musician Whitney Johnson records lush, haunting compositions under the name Matchess. Using pre-recorded cassette tapes, organ drones, delay-heavy vocals, and occasional passages of harsh noise summoned out of her viola,

Machinefabriek
Machinefabriek is the alter ego of Dutchman Rutger Zuydervelt. His vast output spans drone, noise, improv, electro-acoustic, ambient, field recordings.

Cerpintxt & Ruben Sonnoli
Cerpintxt is an electroacoustic post-ape progress report from the cosmic madhouse, through the medium of voice, auto-destruction, wind-guided experiments in protoconversation.

Tom Richards
Tom Richards is an artist, musician, DJ, researcher and instrument designer walking the line between sonic art, sculpture and music For his PhD at Goldsmiths, Richards researched the work of Daphne Oram, culminating in a functional build of Mini Oramics

[SOMETHING’S HAPPENING]
[something’s happening] is the sound and text duo of poet and performer Iris Colomb and composer Daryl Worthington (Beachers).

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Boundary Condition engulfs the collective mass longing for a past that never was, through studies in its sonic materialization stretching across the hyper-romantic limbo of post-Lynchian Darkjazz, the flickering scenarios and found sounds of Musique Concrète, and inert cyclicality of hauntological loops, projecting the residue of all that which could have been, as prosthetic sentiments.

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